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Cultivating Delight: A Natural History of My Garden, by Diane Ackerman
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In the mode of her bestseller A Natural History of the Senses, Diane Ackerman celebrates the sensory pleasures of her garden through the seasons. Whether she is deadheading flowers or glorying in the profusion of roses, offering sugar water to a hummingbird or studying the slug, she welcomes the unexpected drama and extravagance as well as the sanctuary her garden offers.
Written in sensuous, lyrical prose, Cultivating Delight is a hymn to nature and to the pleasure we take in it.
- Sales Rank: #852331 in Books
- Color: Other
- Published on: 2002-10-01
- Released on: 2002-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .61" w x 5.31" l, .49 pounds
- Binding: Paperback
- 272 pages
Amazon.com Review
Diane Ackerman relishes the world of her garden. As a poet, she finds within it an endless field of metaphors. As a naturalist, she notices each small, miraculous detail: the hummingbirds and their routines, the showy tulips, the crazy yellow forsythia. Of visiting deer she writes, "I love watching the deer, which always arrive like magic or a miracle or the answer to an unasked question."
In her popular book A Natural History of the Senses, Ackerman celebrates the human body; in A Natural History of My Garden, she turns her attention to the world outside the body, outside the human sphere. Structured by seasons, this is a book of subtle shifts, but the reader never feels lost. Her prose is so welcoming, at times it feels like she's talking directly to you, although her lush, poetic language is the opposite of speech.
Distracted urban readers craving a book that will transport them would do well to spend time immersed in these pages, as will gardeners who've lost appreciation for their plot. Ackerman is a generous writer--a teacher who will share treasured, obscure passages from Beckett or Hawthorne. She's emotional and highly charged, and her descriptions are so clear they're small marvels. She's remarkable for her ability to find mystery everywhere. --Emily White
From Publishers Weekly
In a generous and jauntily haphazard excursion through the four seasons of her Ithaca, N.Y., backyard landscape and the innumerable interests of her fertile mind, poet and naturalist Ackerman (A Natural History of the Senses; A Natural History of Love) reprises her role as an enchanting intellectual sensualist. Her extensive flower (and even weed) beds provide both subject matter and metaphor. More interested in what a great garden does for a person's spirit and soul than in how to make it grow, Ackerman buzzes productively from idea to revelation to insight, lighting on topics as diverse as how roses are reminiscent of dolls' faces; why we see faces in nature; how plants, animals and humans are alike; whether plants have motives and instincts; how flowers protect themselves from both heat, aridity and freezing cold; and why women are more prone to hypothermia than men in just five paragraphs. She celebrates the diversity of weeds, finds beauty in chaos and order, embraces trial and error as a way of learning and respects the inevitable cycle of birth, death and rebirth. (Oct.)Forecast: With the success of her earlier works preceding her, and an eight-city author tour and 15-city NPR campaign to come, Ackerman's breezy philosophical lyricism should flourish amoang both garden enthusiasts and fans of encyclopedic curiosity.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Poet, essayist, and author of the popular A Natural History of the Senses and A Natural History of Love, Ackerman turns her inquisitiveness to the subject of gardens. Although her latest book is presented as a gardening journal, with sections on the four seasons, her musings know no bounds and verge on stream-of-consciousness. One typical chapter ranges over topics that include landscape architecture, lawns, fences, autumn colors, childhood memories, the difference between labyrinths and mazes, the history and definition of gardens, and compost, all peppered with quotations from a dozen authors. Depending on one's literary tastes, Ackerman's distinctive lyrical style can be intriguing or annoying; she offers no citations for her quotations and factual assertions. Her book will charm many readers who pick it up to absorb a few pages of observations at a time, but it is not for reading at long stretches. Nor does it have much in the way of practical gardening suggestions. Recommended for larger public libraries.
- Daniel Starr, Metropolitan Museum of Art Lib., New York
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
75 of 86 people found the following review helpful.
A Natural History of Diane Ackerman
By A Customer
Well this is going to make me feel like a curmudgeon, since I can see that Diane Ackerman has a devoted following. However, having just tried and failed to get through my second Diane Ackerman book, I have to tell you that I find them boring and unreadable. She doesn't write much about natural history; she writes poetic meditations on natural history. There is a big difference. Her books are about her responses to the natural world, and she can be quite self-absorbed.
For example, in one essay she begins by describing her feelings upon seeing a sick raccoon stagger across her yard in broad daylight. She calls the local animal welfare people to look into it. Then she turns to describing her feelings and reactions to the other elements of her garden. I was left wondering what happened to the raccoon. She never told me.
If you are looking for Diane Ackerman's personal reactions to nature, this may be for you. But I was looking for some good winter reading about nature itself, for when I miss my garden. At the same time I ordered this book, I also ordered a book by Sy Montgomery called "The Curious Naturalist: Nature's Everyday Mysteries". I just chose it by searching for such books on Amazon[.com]. It turns out that Sy Montgomery was the nature columnist for the Boston Globe, and her essays are delightful, concise, amazing and informative. I didn't learn much about the interior life of the author, but I learned the most amazing things about the nature all around me. I read about the messages that singing insects send in the autumn evenings and how they create their songs; the messages in spider webs; the peculiar life-giving structure of water; the way sound travels over snow in winter. Most delightful of all, the author describes ways of interacting with our animal brothers and sisters. I learned how easy it is to teach wild birds to eat from your hand, and how to use a flashlight in the grass to flirt with fireflies and get them to hit on you. This is the book I was really looking for when I bought Ackerman's book. Once I started The Curious Naturalist, I couldn't put it down. If you are looking for the same type of reading that I was, you will like the Montgomery book.
22 of 23 people found the following review helpful.
A uniquely fascinating book,a literary treasure.
By A Customer
Smart, witty, informed, observant, funny, practical, and powerfully moving-- Ackerman combines all of these qualities in a book that's both superb natural history and stylish literature. As a scientist, I'm continually amazed by Ackerman's scrupulousness. As a gardener, I'm impressed by her inventiveness (I'm going to try some of her strategies this season). As a lover of literature, I find myself rereading poetic passages of unbelievable beauty. This is one of my favorite books on any subject, because it's brimming with her trademark-- a fascinating sensibility, who loves and is endlessly curious about the natural world, while keeping an equally fascinated eye on the human condition. All that combined with the soul of a poet. In short, a literary treasure.
20 of 23 people found the following review helpful.
Unoriginal and uninspiring...
By Dianne Foster
Diane Ackerman says, "I must confess, I am not a master gardener by a long shot, nor even a particularly expert one." In CULTIVATING DELIGHT, Ackerman proves this by sharing the contents of a journal she kept following an accident in which she was struck by a motorist while riding her bicycle. DELIGHT is not a gardening book, it is a synopsis of a journal kept by a convalesing writer who happens to have a garden.
Ackerman lives and gardens in Ithaca New York, home of Cornell University and one of the most beautiful and idyllic college towns in the United States. In her book, Ackerman describes her life of privilage: swimming in her backyard pool with friends; riding her bike around town, along the lake, or into the countryside; collecting roses from her many and various garden beds (1,500 roses over the summer); resting in the bay window of her study to watch wrens house hunt and breed or hummingbirds whom she has named Ruby and Gizmo stop by for a snack from one of the various feeders she has hung; shopping at craft fairs; stopping by the garden center; and myriad other tasks.
Ackerman uses the four seasons to stucture her book--an overworked device that fails (A NATURAL HISTORY OF THE SENSES was much better organized). A few passages are good--she's somewhat eloquent when it comes to describing birds--but mostly I found her writing irritating and repetitive. She too frequently makes use of cliched phrases and/or awkward metaphors. As an avid reader of books on gardening and nature, I found her thoughts unoriginal and uninspiring.
I recommend one consider resisting the beautiful cover of this book (which is relatively original and apparently matches the colors in the wall paper in Ms. Ackerman's study), and read THE INVITING GARDEN by Allen Lacy. Or if you are looking for book on gardening that is truly profound, try Jim Nollman's book, WHY WE GARDEN.
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