Kamis, 30 Oktober 2014

> Download Ebook Step by Step Organic Flower Gardening, by Shepherd Ogden, Ogden Shepherd

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The acclaimed author of Step by Step Organic Vegetable Gardening provides a comprehensive guide to planting and growing flowers without harmful fertilizers and pesticides, offering advice on soil preparation, choosing equipment, placing flowers, and preventing disease.

  • Sales Rank: #4707785 in Books
  • Published on: 1995-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 8.00" w x 1.25" l,
  • Binding: Hardcover
  • 302 pages

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Senin, 27 Oktober 2014

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Echinoid Palaeobiology (Special Topics in Palaeontology), by Andrew B. Smith

  • Sales Rank: #8086308 in Books
  • Published on: 1984-02-09
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 202 pages

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0 of 0 people found the following review helpful.
Hard to find book, still the expert voice in Echinoids
By dracoverde
I first read a borrowed copy when I began working with fossil echinoids. Now that I have acquired my own copy it is an indispensable reference. Some of the scientific ideas in the book have been updated by newer research since its printing, but one still needs to know the point from which those idea diverge. If you read some of the author's own scientific papers in the last decade he even indicates where his own opinions have changed from statements made in this book. However, the majority of the content in this book remains relevant. I was lucky and found a relatively inexpensive copy, otherwise $150 to $200 prices were keeping me from purchasing this out of print book.

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Rabu, 22 Oktober 2014

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  • Sales Rank: #4359008 in Books
  • Published on: 2007-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.60" h x .40" w x 8.00" l, .60 pounds
  • Binding: Paperback
  • 144 pages

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# Download PDF Blood Sisters: The French Revolution in Women's Memory, by Marilyn Yalom

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The voices of the women who witnessed the French Revolution are finally restored to history. Yalom focuses on the most unforgettable chronicles: the governess of the royal children; the servant attending Marie-Antoinette in her last days; Robespierre's sister, Charlotte; and others bound together by a common nightmare.

  • Sales Rank: #2671724 in Books
  • Published on: 1995-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.25" w x 1.00" l,
  • Binding: Paperback
  • 308 pages

From Publishers Weekly
Yalom, a faculty member of Stanford University's Institute for Research on Women and Gender who has written many books in the fields of French history and women's studies ( Rethinking the Family ), here uses her expertise to provide a thoughtful feminist analysis of the French Revolution and the Reign of Terror that followed. Quoting heavily from more than 75 memoirs, some written by women loyal to the throne, others by those who supported the Revolution, Yalom posits that, because the writers had in common both gender and a primary concern for personal relationships, they viewed the bloodshed differently than their male counterparts. She cites Rosalie Lamorliere's poignant chronicle of Marie Antoinette's last days, Charlotte Robespierre's memories of her brother Maximillian, who sent hundreds to the guillotine, and Alexandrine des Echerolles's account of the 1793 Lyons uprising as examples of the horror at the wanton loss of life that all these memoirists shared. A unique contribution to historical studies. Illustrations not seen by PW. History Book Club alternate.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
This masterfully crafted book adds a new dimension to our understanding of the French Revolution: it demonstrates how French women, as distinct from French men, remembered that event. Yalom (French literature & history, Stanford) draws upon the memoirs of 80 women. While the majority were aristocrats, like Germaine de Stael and Madame Roland, a few were of the peasant and working class, and most were sensitive to areas in which gender affected their experiences and sensibilities. All, in some way, felt a duty to record the pain and tragedy they had witnessed. Yalom incorporates their reminiscences within the chronological narrative of the revolution and organizes her text geographically. Interspersed with insights from recent scholarship, the book includes a useful annotated bibliography. Scholars and students alike will benefit from this important volume.
- Marie Marmo Mullaney, Caldwell Coll.,
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
Yalom (a researcher at Stanford's Institute for Women and Gender Studies; Maternity, Morality, and the Literature of Madness, 1985, etc.--not reviewed) offers a diffuse literary and feminist perspective on the 138 memoirs of the French Revolution written by women (out of a total of 1,502). Her role: to serve as a ``medium for their resurrection.'' The memoirs (listed in an annotated bibliography) are by a diverse range of figures: Republicans and Royalists; the young child of Louis XVI; an aging nun; literary folk such as Madame Genlis and Madame de Sta‰l; illiterate peasants who dictated their adventures; fashionable Parisians and rustics from the French Southwest. But these women, cut off by their sex from the political life that explained the excesses of the Revolution, saw and recorded only the hardship, violence, and suffering--remaining victims and spectators even when they managed, through cross- dressing, to join the battles, or when they served as intermediaries for their men in prison, petitioning for their release. Some of the women, like Charlotte Robespierre, entered history by recording the lives of famous men they were associated with. Others, ‚migr‚s, helped spread French culture, acquired independence, and brought back to a restored France foreign ideas from Russia, England, and Germany. But Yalom's major theme seems to be writing, and she endows her subjects with many literary associations: Madame Roland, for example, the rare female Republican who perished in the backlash, is compared to Jane Austen for hiding her writing behind conventional domestic activities; to Virginia Woolf when she goes to prison and acquires a room of her own; and to Dostoyevsky, whose career flourished after being rescued--which, sadly, Roland wasn't. Yalom attempts too much here: to illustrate certain feminist assumptions about women in history; to define a genre (the memoir); to place these women in a literary context; and to convey the experiences they recorded. A sound though scattered exposition, then, and a good basis for future research. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

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23 of 23 people found the following review helpful.
Deeply satisfying
By A Customer
I had never read any book by Marilyn Yalom before, but after finishing "Blood Sisters" I'm eager to do so! For anyone interested in the French Revolution and what I call "personal history" - the history of individuals, as opposed to that of economic or political processes - this book will be a gem. Frenchwomen from all walks of life come alive through their memoirs and recollections of a chaotic, painful time, and, under Yalom's intelligent guidance, paint for us a picture of individual lives shattered by the upheavals of radical change.
The one thing which dissatisfied and somewhat irritated me was Yalom's insistence in drawing parallels between the violence and massacres aroused by the Revolution, and the Jewish Holocaust. I really don't see how this was necessary for the understanding and appreciating of the book and its message. I do not wish to call into question the horrors of the Holocaust, which is one of the great tragedies of our times, and undoubtedly one of the worst examples of what man is capable of - but there have been many other instances of barbarity and cruelty, notably in the context of other Revolutions before and since that of France, which would make better parallels. I cannot help but thinking (and I'm not saying this disrespectfully) that in this particular aspect Yalom's Jewishness has gotten the better of her discernment as a scholar. A minor bother in an otherwise rich and engaging book.

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Selasa, 21 Oktober 2014

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Music From Our Lord's Holy Heaven, by Gloria Jean Pinkney

Tapping a wellspring of comfort, inspiration, and renewal, Gloria Pinkney has gathered twenty-two African-American spirituals and reverential songs which her husband, Jerry Pinkney, and sons Brian Pinkney and Myles Pinkney have lovingly illustrated.

  • Sales Rank: #3123318 in Books
  • Brand: Zondervan/HarperCollins Publishers
  • Published on: 2005-10-01
  • Released on: 2005-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.42" h x .39" w x 8.90" l,
  • Binding: Hardcover
  • 48 pages
Features
  • Great product!

From School Library Journal
PreS Up–This superb collection of lyrics for 22 African-American spirituals (musical scores are not included) is divided into three thematic groups: Adoration, Spiritual Wayfarers, and The Good Shepherd. The finely crafted volume contains a variety of favorites, including Glory, Glory, Hallelujah! We Are Climbing Jacob's Ladder, and Go, Tell It on the Mountain. The selections are accompanied by pertinent lines from corresponding psalms and further illuminated by distinctive illustrations painted in swirling shades of blue and gold, or poignant color photographs of children. The songs are framed by essays written by Troy Pinkney-Ragsdale and Gloria Pinkney, both of whom speak eloquently of the magical influence music can have on adults and children. Gloria Pinkney sings the songs in her pleasant alto to piano accompaniment on a companion CD. This title can be paired with Ashley Bryan's All Night, All Day (S & S, 2003), another collection of African-American spirituals, which includes the musical scores in addition to the lyrics.–Linda L. Walkins, Mount Saint Joseph Academy, Brighton, MA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 2-4. The whole Pinkney clan gets into the picture in this joyous book. Gloria Pinkney has gathered together 22 gospel songs that include familiar favorites such as "Old Time Religion," "Go Down, Moses, and "Come By Here, My Lord" (better known as "Kumbya"). Each of the spirituals is paired with a psalm that adds insight. Illustrating the joyous music are pictures by award-winning artists Jerry (husband) and Brian (son) and photographs by son Myles. Daughter Troy provides a prelude discussing the songs. Although the words are presented, the music is not. Instead, a CD featuring Gloria singing the songs accompanies the book. Whimsical, majestic, and moving by turns, this artful project will be enjoyed by the whole family. Ilene Cooper
Copyright © American Library Association. All rights reserved

From the Back Cover
Tapping a wellspring of comfort, inspiration, and renewal, Gloria Pinkney has gathered twenty-two African-American spirituals and reverential songs which her husband, Jerry Pinkney, and sons Brian Pinkney and Myles Pinkney have lovingly illustrated.

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Senin, 20 Oktober 2014

? PDF Ebook E.A.R.L.: The Autobiography of DMX, by Dmx, Smokey D. Fontaine

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E.A.R.L.: The Autobiography of DMX, by Dmx, Smokey D. Fontaine

E.A.R.L.: The Autobiography of DMX, by Dmx, Smokey D. Fontaine



E.A.R.L.: The Autobiography of DMX, by Dmx, Smokey D. Fontaine

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E.A.R.L.: The Autobiography of DMX, by Dmx, Smokey D. Fontaine

DMX is an international superstar who has sold more than twenty million albums and defined hip-hop culture better than any of his peers. He also lived the kind of rags-to-riches story that has molded some of the best American heroes. From a smart and mischievous young boy to a teenager dubbed "Crazy Earl" to the most feared MC on the street, DMX never stopped struggling for the kind of life he knew belonged to him.

Born in Yonkers, New York, to a father who abandoned him and a mother ill equipped to raise her only boy, Earl Simmons grew to hate and distrust the world around him. But a passionate talent to rhyme gave him a dream, while a lifelong companionship with stray dogs gave him the strength to go on. His journey of self-discovery began with beatings, robbery, and group homes, lead to jails, car chases, gun battles, and rap wars, and culminated in commitment, love, fame, and fortune.

This is the extraordinary first-person account of a man who gives expression to the thoughts and feelings of those who have never been heard. In the process, Earl Simmons became a father, a husband, a role model, and an international icon know as DMX.

This is his story.

  • Sales Rank: #152046 in Books
  • Published on: 2002-11-01
  • Released on: 2002-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.13" w x 6.00" l,
  • Binding: Hardcover
  • 352 pages

From Publishers Weekly
With lyrics that balance an extremely bleak view of urban ghetto "thug life" with a deep spiritual yearning for communion with God, DMX (Earl Simmons) has produced four consecutive No. 1 releases over the past six years, making him one of the undisputed superstars in the hypercompetitive world of hip-hop. On the eve of his fifth release, DMX (with Fontaine, the former music editor of the leading hip-hop magazine, The Source) has chosen to tell his own version of his already well-publicized life story. Born to a single mother in the projects of Yonkers, N.Y., DMX led a life of "running, robbing, rapping" for his first 25 years, serving numerous jail terms until being discovered by the legendary rap record company Def Jam. But this is no quickie celebrity biography: the obvious model is Claude Brown's Manchild in the Promised Land, the classic tale of the rise and fall and redemption of a tough inner-city youth. Like Brown, DMX is unsparing in describing the details of his hard life, including the brutal beatings he experienced at the hands of his mother and her boyfriends and the ease with which he adapted to his incarcerations ("I was used to sleeping on hard surfaces, used to eating rotten food"). As successful as his best recordings ("It's Dark & Hell Is Hot") in describing the tension between the author's street and spiritual sides, this is a painfully honest account of how one individual overcame "a lifetime of suffering" by discovering and believing in his lyric talent.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
Simmons's rise from impoverished child in Yonkers, NY, to successful hip-hop artist DMX known the world over is indeed an inspiring tale. But here the performer, aided by Fontaine (former music editor of The Source magazine), puts a bit too much emphasis on his violent formative years. Readers must wade through endless accounts of fights, beatings, and compromising positions involving the subject before reaching DMX's later critical and commercial success. Curiously, his artistic accomplishments are given only cursory treatment when they deserve much more; only serious fans will be interested in all the minutiae of his life revealed here. Although this is the first book devoted to DMX, libraries would do better to wait for a more balanced treatment. Not recommended. [DMX will release a new album in December, which may generate some demand for this book; because it will attract many YAs, librarians should take into account its graphic content.-Ed.]-Caroline Dadas, Hickory Hills, I.
--Caroline Dadas, Hickory Hills, IL
Copyright 2002 Reed Business Information, Inc.

From Booklist
In this as-told-to, rappin' gangsta DMX tells his ultragritty, ultrawack, ultrathug life story. Simmons took the name DMX from a drum machine, ostensibly because he was "nice with the beats" and "liked the three letters and thought it would be cool to make them stand for different things." (Like what?) He is more specific about the pits in his path, such as estrangement from his mother and being near-fatally beaten when accused of a hold-up (he says he was innocent but probably deserved the walloping for other transgressions). He read "Mad from cover to cover" and once liked Led Zeppelin, despite hearing "Stairway to Heaven" nightly. So similar to previous rap bios that it won't help you make sense of the music, this is still a must-have item because of Simmons' high-profile music-video presence. So close your eyes to the mayhem and concentrate on the beautiful sentiments: "I sold my soul to the devil, and the price was cheap. / Hey, yo, it's cold on this level 'cause it's twice as deep." Mike Tribby
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good read.
By Jason
Good read...his music and his life is definitely one and the same...his story gives a deeper insight into his music...good book

0 of 0 people found the following review helpful.
Surprised!!!
By Boop
This book really surprised me. I like DMX as a performer, but my admiration for him subsided when I read an article about him in Vibe magazine. I read how foul he is to his wife, by cheating on her with several different women; I guess that comes with the lifestyle, but whatever. After that I really didn't listen to his records that much because they seemed to have been getting corny, I think his first album was the best.
Then I read this book and I was shocked to and intrigued when I read about his life, from a toddler to who he is today. I respect the way he talks about his wife now and his kids and how much he loves them and that they are his life. I didn't not know that he had a drug problem, for some reason that really surprised me.
I was also surprised to find out that he was the one who came up with the "spelling" style of rap, that K-Solo bit off of him, for some reason I found that hard to believe.
I didn't like when he said that he was going to teach his son how to smoke his first blunt and that he was his dog first and his father second. When I read that I felt sorry for his son, because that means he is taking that dog stuff to seriously. He also bragged about giving his brother his first blunt and got him hook on weed. I wasn't too crazy about that but I guess that was the realness of the book.
Overall, the story was very interesting and I like to see autobiographies from my generation, especially those who game straight from the ghetto, like me.
Later!!!

2 of 2 people found the following review helpful.
Earl...The Life of DMX
By Fernando C.
It's amazing how Earl Simmons aka DMX can overcome such a problemed childhood and become one of the most admired Icons. When you watch a famous person on T.V. or listen to them on the radio the first thing that you think about is how rich they are and how famous they are, but you never think about how much they've been through to get this far in life.

As a child DMX was abused by his mother and didn't have anyone to take care of his except for his grandmother, which his mother rarely allowed him to go see her. Growing up in the Projects in Yonkers didn't make it any easier for him. Life was very rough for him, but his passion for music opened a brand new life for him, which completely turned his life around.

Reading this book was one of the best things i did in my humanities class this year. I couldn't stop reading this book once i started. Reading autobiographies was always one of my favorite things to do because they can teach a person a lot about life in general. Learning from peoples mistakes can help you in life by teahing you not to committe the same mistakes they've made.

I would recommend this book to everyone who's a DMX fan and everyone who likes to read about someone else's life. In my opinion i think it's one of the best autobriographies out there. So go get it ASAP

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> Download PDF When Everybody Wore a Hat, by William Steig

Download PDF When Everybody Wore a Hat, by William Steig

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When Everybody Wore a Hat, by William Steig

When Everybody Wore a Hat, by William Steig



When Everybody Wore a Hat, by William Steig

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When Everybody Wore a Hat, by William Steig

This is the story of when I was a boy, almost 100 years ago, when fire engines were pulled by horses, boys did not play with girls, kids went to libraries for books, there was no TV, you could see a movie for a nickel and everybody wore a hat.

When Everybody Wore a Hat was one of celebrated author/artist William Steig's last gifts to the world of children's books: a portrait of the artist himself, told in Steig's signature quirky words and illustrations. Now in paperback, this funny, poignant, and revealing picture book has all the vitality and wit of a Steig classic.

Ages 2+

  • Sales Rank: #1171412 in Books
  • Brand: Steig, William
  • Published on: 2005-04-26
  • Released on: 2005-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .0" w x 8.00" l, .31 pounds
  • Binding: Paperback
  • 40 pages

From School Library Journal
Grade 1 Up-In 1916, Steig was eight years old. This autobiography describes that year of his life. The somewhat disjointed recollections are recounted in a stream-of-consciousness style and will evoke nostalgia in adults and surprise in children-fire engines pulled by horses, five-cent movies and hot dogs, no TV, a wind-up phonograph. Like elementary school drawings taped to the refrigerator, the childlike, watercolor artwork that accompanies the memories features flattened tables, nostrils on the sides of noses, and a sidewalk extending up into the air. Yet the illustrations' na‹vet‚ belies their underlying sophistication. With a few spare lines, the artist manages to convey body language, facial expression, and gesture. For example, the picture of young Steig clinging to his sister as his parents fight is poignant; the eyes may be simple dots inside ovals, but they convey worlds of information about the children's anxiety. There were upbeat times for the family as well, in spite of the ongoing World War I. Steig reveals his childhood crush, daily activities, and dreams for the future. Black-and-white photos of the author on the first and last pages (one as a child and one as he appears now) and the cover art (front and back views of a youngster in a hat) bring this reminiscence full circle. Given the subject matter and lack of plot, this book seems aimed at Steig's adult fans.
Laurie Edwards, West Shore School District, Camp Hill, PA
Copyright 2003 Reed Business Information, Inc.

From Booklist
K-Gr. 3. Steig's picture-book memoir of his immigrant childhood in the Bronx nearly 100 years ago may appeal more to adults than to kids, but as always with this master artist, there's no wistful nostalgia. The words are spare, just a line on each page. The wonderfully expressive, full-page pictures, with thick black lines and bright watercolors in shades of green and red, bring the past right here, with a wry, visceral sense of the kid's viewpoint. The adults are ridiculous (including the overdressed women with their corsets and heels and hats, "sometimes with fruit") or sad (the boy watching helplessly while his mother weeps about sad news from the Old Country), always distant. Steig remembers the longing for privacy ("it was impossible to be alone"). And yes, there was a war on-- World War I. The hats are of the times, but the experience of the small child in a world of overpowering and weird grown-ups hasn't changed. Hazel Rochman
Copyright © American Library Association. All rights reserved

About the Author
William Steig's drawings appeared regularly in The New Yorker since 1930. He also wrote and illustrated books for children, most recently his memoir, When Everybody Wore a Hat. His other books include Sylvester and the Magic Pebble, winner of the Caldecott Medal; The Amazing Bone, a Caldecott Honor Book; and Abel's Island and Doctor De Soto, both Newbery Honor Books; Doctor De Soto Goes to Africa; Pete's A Pizza; and Zeke Pippin.

William Steig's drawings appeared regularly in The New Yorker since 1930. He also wrote and illustrated books for children, most recently his memoir, When Everybody Wore a Hat. His other books include Sylvester and the Magic Pebble, winner of the Caldecott Medal; The Amazing Bone, a Caldecott Honor Book; and Abel's Island and Doctor De Soto, both Newbery Honor Books; Doctor De Soto Goes to Africa; Pete's A Pizza; and Zeke Pippin.

Most helpful customer reviews

19 of 19 people found the following review helpful.
A Little Slice of History.....
By Roz Levine
"In 1916, when I was eight years old, there were almost no electric lights, cars or telephones-and definitely no TV. Even fire engines were pulled by horses. Kids went to LIBRARIES for books. There were lots of immigrants..." William Steig takes the reader back to the simpler times of his childhood when mother bought her meat at the butchers, boys didn't play with girls, a nickel could buy you a hot dog, a pound of fruit, or a day at the movies, you didn't go to the doctor's office, the doctor came to your house, everyone wanted to have his picture taken on a horse, and everybody wore a hat. "There was no such thing as a hatless human being." Written as if by an eight year old, Mr Steig's remembrances are sometimes poignant and always heartwarming and complemented by his marvelous, expressive childlike illustrations. Adults will revel in all the nostagia, and kids will be intrigued by how different life was at the beginning of the last century. When Everybody Wore A Hat is a charming slice of history, best read together and shared, that will whet the appetite, open interesting discussions, and send youngsters out looking for more.

6 of 7 people found the following review helpful.
A Beautiful Story Of The Past
By Preston McClear, Author The Boy Under the Bed
When Everybody Wore A Hat, written and illustrated by William Steig, is an affectionate and touching tribute to the author's childhood in the Bronx. William Steig is in his nineties. He begins his reflections by writing, "This is the story of when I was a boy, almost 100 years ago, when fire engines were pulled by horses, boys did not play with girls, kids went to libraries for books, there was no TV, you could see a movie for a nickel, and everybody wore a hat." It dawned on me after reading this story that the children of today wouldn't have the slightest inkling of the world William Steig grew up in. Having had a 104 year old great grand father to tell me stories of what the world was once like I simply took the idea for granted. When Everybody Wore A Hat is a grand way to introduce children to what the world once was like. The illustrations are childlike and convey a sense of longing and nostalgia. William Steig has created out of his own memories a profoundly moving and beautiful tribute to his childhood and the world of once was.
Preston McClear, malibubooks.com

3 of 4 people found the following review helpful.
A Beautiful Story Of The Past
By Preston McClear, Author The Boy Under the Bed
When Everybody Wore A Hat, written and illustrated by William Steig, is an affectionate and touching tribute to the author's childhood in the Bronx. William Steig is in his nineties. He begins his reflections by writing, "This is the story of when I was a boy, almost 100 years ago, when fire engines were pulled by horses, boys did not play with girls, kids went to libraries for books, there was no TV, you could see a movie for a nickel, and everybody wore a hat." It dawned on me after reading this story that the children of today wouldn't have the slightest inkling of the world William Steig grew up in. Having had a 104 year old great grand father to tell me stories of what the world was once like I simply took the idea for granted. When Everybody Wore A Hat is a grand way to introduce children to what the world once was like. The illustrations are childlike and convey a sense of longing and nostalgia. William Steig has created out of his own memories a profoundly moving and beautiful tribute to his childhood and the world of once was.
Preston McClear,

See all 14 customer reviews...

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