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Peter Ackroyd's Hawksmoor - part of the limited edition PENGUIN STREET ART series: timeless writing, enduring design. 'There is no Light without Darknesse and no Substance without Shaddowe' So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . . 'Chillingly brilliant . . . sinister and stunningly well executed' Independent on Sunday Peter Ackroyd was born in London in 1949. A novelist, biographer and historian, he has been the literary editor of The Spectator and chief book reviewer for the The Times, as well as writing several highly acclaimed books including a biography of Dickens and London: The Biography. He lives in London. The PENGUIN STREET ART series marries timeless writing with enduring design. Some of the world's leading street artists have designed new covers especially for ten classic contemporary books from Penguin: Hawksmoor by Peter Ackroyd / Armadillo by William Boyd / And The Ass Saw the Angel by Nick Cave / What a Carve Up by Jonathan Coe / Americana by Don DeLillo / Then We Came to the End by Joshua Ferris / The Reluctant Fundamentalistby Mohsin Hamid / The Believers by Zoe Heller / How to Be Good by Nick Hornby / Lights out for the Territory by Iain Sinclair

• Sales Rank: #1565726 in Books
• Published on: 1986-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 217 pages

From Library Journal
Eighteenth- and 20th-century London merge as Nicholas Hawksmoor, C.I.D., investigates a series of murders whose only connection is locale18th-century churches constructed by Nicholas Dyer. Resisting modern, more systematic methods of detection, Hawksmoor interprets the historic connection between these places, old murders and new, slayers and slain, murderers and pursuers, defying time, religion, and reason itself. Despite exacting re-creation of Dyer's London and careful mirroring of 18th-century people and places in the 20th century, the novel lacks a focus that would make a point behind the wealth of detail. As it is, tantalizing symmetries, provocative discussions of architecture, debates on ancient and modern lead nowhere and frustrate the reader. Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass.
Copyright 1986 Reed Business Information, Inc.

Review
Chillingly brilliant ... sinister and stunningly well executed Independent on Sunday Extraordinary, amazing, vivid, convincing. [Ackroyd's] view of life questions the role not just of the novel but of art and history, memory, time and much else Financial Times A novel remarkable for [its] power, ingenuity and subtlety London Review of Books

About the Author
Peter Ackroyd is a well known writer and historian. He has been the literary editor of The Spectator and chief book reviewer for the The Times, as well as writing several highly acclaimed books including a biography of Dickens and London: The Biography. He resides in London and his most recent highly acclaimed work is Thames: Sacred River.

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13 of 18 people found the following review helpful.
Not on my list
By The Ginger Man
I have read more than half of the books on David Pringle's list of the best 100 fantasy books (after working through most of his SciFi list). His suggestions include classics and hidden gems and, unfortunately, a few clunkers. Hawksmoor is one of the latter.

Slow but evocative, the book moves back and forth from a time when cathedrals are being built by an architect possessed by an evil force to more contemporary times, where we see the shadow of that force's effect.

It is a good concept and well written but very slow going. It can be difficult to build a reader relationship with characters when the scene keeps shifting and Ackroyd fails to surmount that challenge here.

This is not a terrible book but it is ponderous without being either enlightening or entertaining. There are better books of fantasy and historical fiction to read. If you are not possessed of unlimited reading time, I might give this one a miss.

1 of 1 people found the following review helpful.
A dark, postmodern tale
By J Thomas
A couple of recommendations if you chance upon this review before attempting the book. (1) if you’ve picked this up because you love a good, literary murder mystery, you may wish to reconsider; though murders occur, and there’s a detective intent upon solving them, you’ll find almost every other traditional mystery trope – clues, motives, suspects, an investigation, a denouement – unsettlingly absent here. (2) Fully half the book is written utilizing 17th century literary conventions (complete with period-appropriate erratic spelling, punctuation, and grammar) – if this doesn’t appeal to you, you’ve another reason to move on. (3) Though I tend to avoid spoilers, in this case you may actually want to start off by reading one or more of the many literary essays devoted to this book, so that you don’t waste three quarters of the book (as I did) trying desperately to make sense of incidents that, it turns out, aren’t necessarily meant to make sense – at least not in any traditional, logical way.

For Hawksmoor is, according to people smarter than me, a work of “postmodern” literature – a deliberate effort on the part of Ackroyd, the novel’s erudite author, to pervert narrative conventions, genre, character development – even chronological time. In the process, he’s created an uneven tale consisting of two parallel narratives, one of them a great deal more fully-realized and engaging than the other.

The more engaging narrative, set in late 17th century London, tells the tale of Nicholas Dyer, an architect in charge of building a series of major churches throughout the city and also, secretly, a worshiper of ancient, fearful gods who, among other things, require that each of his churches be consecrated by a human sacrifice. His professional and philosophical rival is Sir Christopher Wren, a fellow architect who, in contrast, is a champion of the Age of Reason, intent upon displacing the old gods and setting new ones – science and logic - in their place. This juxtaposition allows Ackroyd to explore both these forces – and especially the opposition between them – at some length, resulting in a series of richly imagined, often disturbing scenes and set-pieces. (Seriously, some of the scenes are presented in the form of miniature plays – more postmodern experimentation, I presume, but it works.)

Perhaps because these chapters are so rich, dark, and disturbing, the half of the narrative set in (more or less) modern-day London, featuring Det. Hawksmoor and his attempts to solve a series of murders at churches designed by Dyer, can’t help but pale in comparison. Dyer’s gradual descent into madness is satisfyingly convincing and creepy; Hawksmoors’, alas, is merely tedious.

Before too long you begin to notice that the two narratives are tied together by more than Dyer’s churches (which, by the way, are laid out in the form of a pentagon, along ancient “lay lines” of power); increasingly, incidents in the lives of Hawksmoor and Dyer parallel/intersect, the intent of which could be interpreted in any number of ways. My own interpretation is that Ackroyd means us to understand that the conflict between reason and chaos, though less visible beneath our 20th century veneer of reason, continues unabated, particularly at sites (like Dyer’s churches) where ancient evils have long festered and concentrated. This interpretation is supported, I believe, by the parallels that Ackroyd draws between his London of 1690 and his London of today – despite the passage of years, the two Londons are eerily similar, from the songs the urchins sing in the streets to the cries of the vendors selling their wares, from buildings perched uneasily upon the foundations of structures dating back to prehistory to the timeless cruelty and bullying of children, from streets still named after their ancient antecedents to the sad, desperate lives of the beggars, whores and madmen who exist at the fringes of humanity.

A provocative thesis, and when combined with Ackroyd’s gift for authentic period detail and eerie narrative, enough for me to recommend this as a worthwhile read, even if “postmodern” isn’t ordinarily my cup of tea.

24 of 25 people found the following review helpful.
Brilliant book
By Nimue
"Hawksmoor" is actually one of my very favorite books, and certainly ranks with "Dan Leno and the Limehouse Golem" as one of Ackroyd's best. Yes, it does travel back and forth in time and space, but it is not difficult for an attentive reader to follow. Ackroyd's knowledge of the esoteric underpinnings of numerology and architecture, and his vast knowledge of the history and culture of London make this book a rewarding mystery. I cannot visit a Hawksmoor church now without this book haunting my steps.

I've read it repeatedly, and taught it in an "Alternative Londons" course (with "From Hell" and "Neverwhere", two more superior London books). Students have loved it. Not, perhaps to everyone's taste, but highly recommended. If you're looking for emotional ties to characters (as the other reviewer seemed to be), look elsewhere; part of the novel's mood lies in the icy detachment of the characters in both timelines. If you're looking for a brainy adventure with more than a touch of the creepy supernatural, this is a book for you.

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Another chapter in the greatest story ever told ...

Come meet Jeshua (known today as Jesus) before he started attracting crowds. In his previous book, The Welcoming Door, Kenny Kemp retells the cherished New Testament parables in an entirely new and unique way -- placing Jeshua himself, as a working carpenter, in the very stories he would one day teach the world. Simple, subtle, and heartfelt, the Parables of the Carpenter delight readers with a Jeshua they have only imagined: young, vibrant, and questioning -- a thoughtful student of human nature who soon would become the world's greatest teacher.

Now, in City on a Hill, Jeshua's formative adventures continue, weaving two New Testament parables into a compelling narrative. Just five miles from Nazareth lies Sepphoris, the teeming capital of Galilee, where Jeshua encounters the larger Roman world, a world of powerful, scheming men who love darkness more than light. Working as an artisan on an immense basilica, Jeshua struggles not only with the wicked governor and his cabal of conspirators but with his fellow workers, who are threatening to strike over unpaid wages. And when King Herod Antipas himself rides into Sepphoris with his army on a stormy Sabbath evening, Jeshua is faced with his greatest challenge yet -- to hold true to his radical, peaceful Gospel and still protect his friends and family.

Into this volatile mix are stirred two of Jesus' most thought-provoking stories, the parable of the unjust judge, which reveals the principle of faithful persistence, and the parable of the unmerciful servant, which illuminates the power of forgiveness.

For those who wonder about the time, place, and people behind the parables, City on a Hill provides a fascinating encounter with the most remarkable, unforgettable, and divinely human Jesus ever.

• Sales Rank: #5740711 in Books
• Published on: 2004-03
• Released on: 2004-03-30
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .97" w x 6.00" l,
• Binding: Hardcover
• 288 pages

From Publishers Weekly
As he did in the first volume, The Welcoming Door, Kemp imaginatively places a young Christ (Jeshua) in the midst of the parable events that formed the foundation of his later teachings. In this fresh conjecture on the missing years in the life of Christ, Kemp draws his version of Jesus endearingly and well. He strikes a subtle balance between showing the humanity of Jeshuaâ€"tired, dirty, fighting a headache, working up a sweat, hanging out with his brothersâ€"while hinting at his possible divinity. Readers will find the likable Jeshua also portrayed as reflective, "a loner given to long, solitary walks and disappearances; a fellow who, even when he laughed, seemed somehow melancholy, as if he were carrying a secret weight." Haunted by dreams of his own death and the violent atrocities that would be perpetrated in his name in future years, Jeshua poignantly whispers to the night sky, "Father, must it be so? Is there no other way?... Please, bring me home." Money, pride and intrigue move the occasionally confusing story line along, illustrating the parable of the forgiven debt and the parable of the persistent widow (readers will want to read The Welcoming Door to understand some of the references in this book). A few profanities may keep it out of more conservative CBA stores, but this unusual take on the life of Jesus should have wide appeal to many readers of faith.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Kenny Kemp was awarded the 1999 Writer's Digest Grand Prize for his inspirational memoir Dad Was A Carpenter. He works as a contractor and an attorney in San Diego, California.

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1 of 1 people found the following review helpful.
A very interesting book.
By Janice Walen
Once you start this book, you can't put it down. I have never read a book like this.

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>> Ebook Download Let's Go Dinosaur Tracking!, by Miriam Schlein

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Explores the many different kinds of tracks dinosaurs left behind and what they reveal about the dinosaurs themselves.

• Sales Rank: #4005470 in Books
• Published on: 1991-09
• Original language: English
• Number of items: 1
• Dimensions: 9.40" h x 8.40" w x .40" l,
• Binding: Hardcover
• 47 pages

From Publishers Weekly
Conventional wisdom suggests that this teaming of a science writer with a picture book illustrator should have worked (witness the success of Cole and Degen's Magic School Bus series), but this fact and fiction mix just doesn't jell. One problem may be the broken narrative line: it's difficult to follow a story that seems merely wrapped around a collection of facts. Additionally, in both text and art the boundaries between imagination and scientific observation blur and often disappear totally. The nameless scientist and the three anonymous, dinosaur-crazy kids move abruptly through time and space in search of fossilized tracks without the aid of any device to facilitate or justify the action. Though there's much information here and some very appealing art, these talented collaborators will certainly disappoint their intended audience. Ages 6-9.
Copyright 1991 Reed Business Information, Inc.

From School Library Journal
Kindergarten-Grade 4-- Footprints seem to be this season's discovery in children's dinosaur books, as noted by the recently published On the Tracks of Dinosaurs (Watts, 1991) by James Farlow. Schlein's contribution makes available some of this same information in a format that's more appealing to younger children. She uses a fictional premise of an elderly paleontologist, who zips around the world with his grandchildren in order to examine discoveries of dinosaur footprints. The factual text and playful illustrations interact well with one another, moving readers through the book without bogging them down in details. A glossary helps decode multisyllable names, and a beach experiment will help readers puzzle out how scientists determine a dinosaur's size by the prints it leaves behind. An enjoyable book that covers the basics of prehistoric tracking well. --Cathryn A. Camper, Minneapolis Pub . Lib .
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
An easily read pictorial review of information to be gleaned from dinosaur tracks, including some recent conjectures concerning how fast dinosaurs walked and ran. Entertaining, instructive, and full of intriguing solutions to puzzles like why a sauropod appears to have walked on just his front legs, or how hadrosaur tracks got on the roof of a cave. The cheerful pictures are enlivened by a merry trio of kids assisting a white-haired paleontologist. Notes on dinosaur names. (Nonfiction 8+) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

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Here are all the words and music of this popular song, so even the littlest of growing children can sing and play along. A simple story about childhood faith, the verses sing of one little boy overcoming every obstacle, rocks and weeds and a hungry cow, and being rewarded with a giant harvest. Words and music for piano and guitar are included. Full color.

• Sales Rank: #2224603 in Books
• Brand: Harper Collins
• Model: FBA-|275988
• Published on: 1995-05
• Original language: English
• Number of items: 1
• Dimensions: .35" h x 9.12" w x 11.32" l, .0 pounds
• Binding: Hardcover

From Publishers Weekly
Musician and songwriter Mallett presents a peppy rendition of a familiar folksong, the music to which is printed on the book's final spread. Rake over his shoulder and brimmed straw hat pulled down to his eyes, a grinning young gardener struts down the path as the refrain begins: "Inch by inch, row by row,/ gonna make this garden grow./ All it takes is a rake and a hoe,/ and a piece of fertile ground." After planting seeds, the diligent protagonist-hands folded and gazing at the sky-asks that "someone bless these seeds I sow." Though its flat, somewhat muddy palette seems at odds with the effervescence of the song, Eitan's (Sun Is Falling, Night Is Calling) accomplished art exerts a strong pull; her style is at once simple and sophisticated, by turns representational and abstract. Heartwarming. Ages 4-8.
Copyright 1995 Reed Business Information, Inc.

From School Library Journal
PreSchool-Grade 1?In this picture-book version of the song first published in 1975 (Cherry Lane Music Publishing Co.), a young child plants seeds, prays that God will bless them, weeds and tends them, and, finally, gleans a bountiful harvest. The rhyming text, which is at times ambiguous ("Feel the need to grow my own/'cause the time is close at hand"), takes second place to the delightful illustrations. The young gardener, wearing a shirt, vest, and pants, with an oversized hat that covers facial features, could be male or female. Accompanied by a playful dog, the child works, slides down rainbows, defends the garden against a hungry crow, and gathers the produce. The paintings are large with some objects spilling over into the ample white space that makes up the borders. Employing a variety of media including cut paper, Eitan uses color and space to create a striking effect. For example, orange tones are picked up in the child's vest, the tree bark, fruits, roof tops, and the earth. Musical notation appears at the end of the book. Use this with Lois Ehlert's Growing Vegetable Soup (Harcourt, 1987) and Douglas Florian's Vegetable Garden (Harcourt, 1991) for a celebration of gardening in story and song.?Marianne Saccardi, Norwalk Community-Technical College, CT
Copyright 1995 Reed Business Information, Inc.

From Booklist
Ages 3^-6. A popular folk song is brought to life in this charming picture book, which also includes the music and lyrics of the 1975 original tune. The cheerful illustrations are bold and expressive, exuding a primitive childlike quality as they show a young boy tending his garden. Children will see the physical tasks required to make the garden grow and the tangible rewards that come from that work, but there is also a spiritual undertone running through the story that speaks of the intangible rewards: "Tune my body and my brain to the music from the land." Illustrations showing the boy simply enjoying nature will help children comprehend this difficult concept. Conclude a spring story time by teaching children this delightful song. Lauren Peterson

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great to Sing and Read
By Amazon Customer
I reconnected with this song after hearing John Denver sing it on a recently released 'Muppet Show' DVD. It's a song that I have enjoyed sharing with my 2 year old daughter and the book brings the lyrics to life. The illustrations are beautiful and well reflect the lyrics. The book is a staple must-read for us throughout the day and is essential at bedtime (Mom, sing the garden song again!). Several children's cds have this recording by other artists, but my favorite by far is the John Denver.

0 of 0 people found the following review helpful.
love this book!
By sam
such a great book for young children!

5 of 5 people found the following review helpful.
Seems to me you'd stop and see how beautiful they are
By E. R. Bird
In 1975, folksong writer David Mallett wrote that infinitely catchy song "Inch By Inch". Children world-round have undoubtedly heard this product in one form or another. Whether it was John Denver on "The Muppet Show" (whee!) or in their preschools, "Inch By Inch" is, suffice it to say, well-known. Fast-forward to 1995 and David Mallett goes the next logical step. Whether he intended it or not, "Inch By Inch" is primarily sung to children. And when you've a catchy and popular children's song under your belt, why not make it into a picture book? Not all folksongs work as children's books (I've yet to see a well-done "Turn Turn Turn" or "Kumbiyah" though infinite books carry those songs) but "Inch By Inch" is that rare exception that when it works, WORKS!

"Inch by inch / row by row / gonna make this garden grow / All it takes is a rake and a hoe / and a piece of fertile ground". Sing along! You know the tune! Going through a variety of verses, we see a cheery child (possibly a boy, possibly a girl) doing some gardening. The kid, faithful pup in tow, hoes the ground, plants seeds, pulls weeds, and removes stones. The weeds and stones are amusingly huge, but the exaggeration works. Though black crows threaten, the crop is full and hearty. In the back of the book is the sheet music and lyrics for the original song itself.

Illustrator Ora Eitan is thus far best known for "Bunnies" books, like "Astro Bunnies" and "Cowboy Bunnies". Here, Eitan's distinctive style serves the book well. The pictures are both simplistic and mildly detailed. There's a great deal of fun at work here and it would take a hard-hearted child indeed not to want to grow something of their own after a reading. There is one picture in the book that's a little out of whack though, not to say mildly disturbing. With the lines "we are made of dreams and bones / Feel the need to grow my own / 'cause the time is close at hand" we see child and dog at the base of a treee, watering it. On this two-page vertical spread a dog, identical to the one below, flies about the top of the tree's boughs on a pair of thin green wings. Reading the words and seeing the picture you have to make one of two assumptions: either this is a dream of the dog below (who is not even remotely asleep) or the dog is dead. The dog doesn't reappear for some time after this picture which would seem to back up this theory, but at last it ends up on the final page with the kid. If Eitan's making a statement of some sort with this illustration, it's foggy at best.

Otherwise, a fine fine book. Parents adore this title, especially when they can remember the tune. Vocally gifted or tuneless as a tank, it really doesn't matter. The book's just a great little addition to anyone's garden centered storybook collection. Consider pairing it with David Small's, "The Gardener" or Crockett Johnson's, "The Carrot Seed", the next time you get a chance to do a summer storytime.

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Rugs to Riches is an authoritative, lively, and eminently practical guide for people who want to learn the dos and don'ts of choosing handmade oriental rugs. Caroline Bosly, one of the foremost rug brokers in the world, describes the various types of rugs and their origins, explains the difference between buying new and antique rugs, and tells you how to buy a rug of any size at the best possible price. Written in a simple, straightforward style that strips away the mystique from oriental rugs, Rugs to Riches also advises you on:

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• Sales Rank: #5811050 in Books
• Published on: 1987-04-09
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 256 pages

Review
"If you want to learn as much as you can about fine Oriental rugs as effortlessly as possible, then...Rugs to Riches is a must for your reference library."

-- Antique Monthly

From the Inside Flap
Rugs to Riches is an authoritative, lively, and eminently practical guide for people who want to learn the dos and don'ts of choosing handmade oriental rugs. Caroline Bosly, one of the foremost rug brokers in the world, describes the various types of rugs and their origins, explains the difference between buying new and antique rugs, and tells you how to buy a rug of any size at the best possible price. Written in a simple, straightforward style that strips away the mystique from oriental rugs, Rugs to Riches also advises you on:

Determining whether a rug is handmade or not, and whether it has been altered in any way.

Evaluating a rug's condition and determining whether the retail price is a fair one, using a simple point system.

Bargaining down the price of a rug, no matter what type of store you find it in.

Selling a rug and making a profit.

Decorating with oriental rugs and ensuring that they remain clean and in good repair.

From the Back Cover
"If you want to learn as much as you can about fine Oriental rugs as effortlessly as possible, then...Rugs to Riches is a must for your reference library."

-- Antique Monthly

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^^ Ebook A Pride of African Tales, by Donna L. Washington

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This treasure trove of lavishly illustrated stories comes from different regions in Africa. In "Anansi," an uproarious story from Ghana, the tables are turned on lazy Anansi. "The Boy Who Wanted the Moon," set in the Congo, explains why there are monkeys in the world. "Shansa Mutongo Shima," a thrilling story of the Tabura people from the Democratic Republic of the Congo, reveals the dangers of judging by appearances. In "The Roof of Leaves," from the Congo, a married couple learns a lesson about anger and forgiveness. "The Wedding Basket," set in Nigeria, is a cautionary tale about taboos. In "The Talking Skull," from Cameroon, a foolish man learns too late the wisdom of keeping his mouth shut.

Each tale reflects the rhythms and cadences of the storyteller's muse. For her research, Donna Washington consulted as many written and oral sources as she could find. And award-winning artist James Ransome's stunning water-color paintings illuminate the diversity of the African people, clothing, architecture, landscape, and wildlife. Readers will discover that despite the variety, these stories about human foibles hold universal truths for everyone, everywhere.

• Sales Rank: #297867 in Books
• Published on: 2003-12-23
• Released on: 2003-12-23
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .25" w x 8.50" l, 1.28 pounds
• Binding: Hardcover
• 80 pages

From School Library Journal
Grade 1-5–Like a group of lions, these six stories are majestic. "Anansi's Fishing Expedition" (Ghana), "The Roof of Leaves" (the Congo), "The Wedding Basket" (Nigeria), and "The Talking Skull" (Cameroon) are among the tales included. Each one begins with a short note of explanation and is identified as a pourquoi, trickster, or cautionary tale. A map of Africa pinpoints the countries of origin and brief source notes are appended. The morals are not lost, but the writing is not heavy-handed. The smooth retellings are paired with extraordinarily lush watercolors. Most of the paintings are single page but there are several dramatic spreads that capture the eye. Taking a cue from African textiles, Ransome uses distinctive borders that mirror elements from the text–a cloth pattern, a leafy fern, a cheetah's spots. These selections can be read alone but they beg to be shared aloud. The phrasing and cadences invite pauses and should encourage successful retelling–good for librarians and those who coach children in storytelling contests. A handsome package.–Harriett Fargnoli, Great Neck Library, NY
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 2-5. In her introduction to this fine collection of African tales, Washington speaks of her project a bit sheepishly. After all, she writes, "Stories are meant to be told," not written down. Nonetheless, children who encounter these supple, charismatic retellings will not come away feeling shortchanged. Her choices represent a range of cultures and genres, including an Anansi trickster tale, a pourquoi tale, and several cautionary tales, but all explore human folly with a light, generous touch. Washington adopts a new voice for each story, sometimes incorporating phrases that presumably reflect the conventions of the featured region ("People, I will tell you of a little thing, a little, little thing"), and she provides meticulous source notes. Ransome contributes lush, naturalistic watercolors, reinforcing the stories' varied origins by altering the landscape and costumes as appropriate and providing maps for geographical context. Storytellers looking for material will welcome this versatile offering, as will educators seeking to deepen children's understanding of Africa's diversity and the richness of its narrative tradition. Jennifer Mattson
Copyright © American Library Association. All rights reserved

About the Author

Donna L. Washington is a professional storyteller, multiple-award-winning recording artist, and author. She performs all over the country at festivals, schools, and libraries and gives workshops for parents and educators as well. Her many storytelling recordings have received Gold and Silver Parents' Choice Awards, Storytelling World Awards, iParenting Awards, Children's Music Web Awards, National Parenting Publications Awards Honors, and many more. Ms. Washington lives with her husband, two children, and two cats in Durham, North Carolina.

James Ransome's work has appeared in nearly fifty books for children, including the Coretta Scott King Award Book The Creation by James Weldon Johnson and Satchel Paige and Major Taylor: Champion Cyclist, both written by his wife, Lesa Cline-Ransome. His traveling exhibit "Visual Stories" is featured in libraries and museums throughout the country. He lives in Rhinebeck, New York, with his family.

Most helpful customer reviews

6 of 6 people found the following review helpful.
EXCELLENT BOOK
By A. L. Straayer
I don't mean to take anything away from the compiler of these
tales (Donna Washington) because they are a fine group and
she does a wonderful job of retelling them. But I am a collector
of children's books and I collect with the quality of llustrations in mind. So my review is mostly about the illustrations.
James Ransome has had the happy fortune to often be associated with books of really high quality, and I would have to say that of all those that I am familiar with, this is probably his best. It is a great coming together of story, illustration, & printing that makes collecting children's books fun and satisfying.
The illustrations are vivid, lush, and provide a real sense of
place. Ransome captures the villages, the market place, the
forests & grasslands of Africa that I have found equalled only by illustrator Trina Schart Hyman.
A wonderful bonus to the book is the map in the front and
the "Story Notes and Further Reading" in the back. A perfect
book for a school library.

3 of 4 people found the following review helpful.
Fun Stories with Great Messages
By The RAWSISTAZ Reviewers
A PRIDE OF AFRICAN TALES is a collection of folktales which have their roots in several West African nations including Ghana, Cameroon, and Nigeria. Each story is preceded by a brief introduction which gives readers a little background on the history and origin of the particular tale. Although I enjoyed all of the stories in the collection, my two favorites were "Shansa Mutoungo Shima" and "The Roof of Leaves." "Shansa Mutoungo Shima" tells the story of Bwalya, a young woman who learns an important lesson about judging people by the way they look. In "The Roof of Leaves" a married couple has an argument followed by a misunderstanding, and both of them must learn an important lesson about swallowing their pride and more importantly about forgiveness.

In the introduction, author Donna L. Washington states that the stories which make up this collection are meant to be told not read, and she encourages readers to bring the stories to life. This book is a "must have" for any child's library, as it is the type of book that can be read over and over again. The book is well organized and the stories are diverse and will appeal to both boys and girls. Washington has compiled a wonderful collection which pairs West African Folktales with a splash of history. Additional resources are provided at the end of the book for readers wanting to learn more about the origins of a particular story and for further reading. James Ransome's eye-catching illustrations add yet another dimension to this collection, and I was impressed by the way the illustrations for each story were consistent with the setting in which it took place.

Reviewed by Stacey Seay

of The RAWSISTAZ Reviewers

0 of 0 people found the following review helpful.
A Pride of African Tales
By Steven C. Thedford
The book provides stories that can be used to teach children values. For example, in the the tale of Anansi from Ghana he gets fooled by Onini. In other words, Anansi becomes a victim of his own fish selling scheme. Moreover, if you need to teach your child about being foolish read the The Boy Who wanted The Moon, a Pourquoi Tale from the Congo. Even adults can benefit from the tales. For instance, if you had an argument with the spouse you may want to read Leaves in the house instead fomenting a quarrel. As a result, your house may return to a halcyon. Finally, please read your children Talking Skull, it can serves as a euphemism to listening.

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both independent of, and competitive with, similar structures in geography and geology to which its parent bodies belong. This move is likely to be seen as one of great significance by those involved in its organisation and by many beyond it, and it may well signal structural changes within the discipline whose actual outcome and meaning will not be clear for several decades. My perspective on such a move is cool, because the adoption of an historical perspective with respect to the practice of 'geomorphology' in times past brings the recognition that times present are in no sense different. That which seems appropriate, fundable, official and achievable is just that: the essays of Stoddart (Chapter 8) and Hewitt (Chapter 9) both neatly illustrate, in their different ways, the distinction between 'official' and 'scientific' approaches to the same problem. But institutional expansion, Vitek's paper not withstanding (Chapter 14), may not be why our geomorphology will be of interest to future generations. What that interest will be is a matter for speculation.

• Sales Rank: #13389725 in Books
• Published on: 1989-10-26
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 344 pages

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It spits, snarls, screams, curses, and laughs at the world. It mocks leaders and followers. Restores our faith in love and security or drives us mad.

Australian author Ranulfo has cracked open the story of Hamlet. This is what he's glued back together.

• Sales Rank: #2686566 in Books
• Published on: 2006-08-08
• Released on: 2006-08-08
• Original language: English
• Number of items: 1
• Dimensions: 7.13" h x .82" w x 5.00" l,
• Binding: Hardcover
• 208 pages

From School Library Journal
Grade 9 Up–Meet Matt, a 17-year-old Australian student whose once-stable life is crumbling. His parents have divorced, his mother has married disgusting Claude, and his best friend has just died. His buddies encourage him to drop out with them to avoid his problems, but his inner voice, called Joker, keeps pushing him toward avenging all the injustices overwhelming his life. This tale uses the basic elements of Shakespeares Hamlet, but numerous details and the language place it solidly in the 21st century. Instead of monologues, Ranulfo provides lengthy descriptions of Jokers antics as well as conversations between Joker and Matt. However, unlike the classic tale, Matt confronts Joker, overcomes the evil thoughts and behaviors that have nearly driven him to madness, and returns to his forgiving girlfriend. This novel has the potential to captivate young adults, and could easily lead to the exploration of Shakespeares tragedy. The text, divided into five acts that mirror the play, is fast paced, with chapters of one to three pages in length, many of them titled with references to Hamlet. Nevertheless, the Australian slang may be puzzling to American readers. Most collections seeking a jazzed-up approach would be better served by the comic-book Classics Illustrated: Hamlet (Berkley, 1990) or by Lisa Fiedlers Dating Hamlet: Ophelias Story (Holt, 2002).–Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
"Maybe God is a monster." Matt, 17, tries to come to terms with evil in the world as he finds injustice and suffering everywhere--at home, where he is furious and jealous that his mom divorced his dad for Claude; and also in the wider world, where he sees the global poverty, war, and pollution. The Hamlet references scattered through the text and on the cover ("Hamlet' s been cracked") are fun: Matt lives in the Australian town of Elsinore; loves Leah; hangs out with his dropout friends, Roscoe and Guildo; argues with Joker, his irreverent alter ego; and "contemplates suicide" ("To be or not to be"). Readers will enjoy seeing bits of Shakespeare's story played out in a world of IM, beach parties, and street protests, but even those unfamiliar with the play will be caught up in the wry, first-person, present-tense take on the way things are now, as Matt searches for love, meaning, and faith in a harsh world. Hazel Rochman
Copyright © American Library Association. All rights reserved

About the Author

Ranulfo was born once upon a time in the Philippines on a little island called Bohol. He now lives on a big island called Australia in a little city called Sydney. He studied clowning and tap dancing. He has painted and exhibited his strange paintings throughout Australia. He has won a short-story contest about a silly cat that ate Sydney. He has worked in the Tax Office and a video shop and cleaned railway carriages. Ranulfo is currently working on his second novel, written entirely in cat language.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A humorous retelling of Hamlet... with a happy ending
By Teen Reads
Matt is the child of divorce. His mother has taken up with a sleazy salesman. His father now "haunts" their house late at night obsessed with and humiliated by his broken marriage. This trauma, in addition to the death of Matt's best friend in a hostel fire, has sent Matt, "athlete, top student, and Mr. Cool at Elsinore High," into a tailspin. His response to an insane world is to retreat into the chaotic persona of The Joker who questions everything Matt has been taught and leads Matt into a wild dance on the edge of sanity.

"All my life I had asked the wrong questions. Questions which already had answers. Questions provided to me by the authorities," Matt says. With the Joker's questions, and a solemn promise to help his father knit their family together again, Matt treads in the footstep of one of literature's most famous madmen, Hamlet.

Ranulfo's JOKER is at its most enjoyable in its humorous allusions to Shakespeare's melancholy prince. The famous windbag Polonious is personified by a high school principal, Rosencrantz and Guildenstern are beach bums, and Elsinore's resident bad boy Brad stands in as Fortinbras. The scene in which Hamlet puts on a play to reveal his father's murder is transformed into Matt staging a rap sequel to "South Pacific." Prostitution, pollution and revolution have overrun the island, which is ultimately destroyed by a tsunami.

While Ranulfo occasionally twists famous lines from Shakespeare's play into the vernacular of an Australian teen, JOKER is largely free from the kind of language that can make Shakespeare's HAMLET difficult to read. Instead, Ranulfo focuses on Matt's internal conflict, and his questions about life's meaning and mortality. It is written in extremely short sections, jumping from reality to Matt's morbid fantasies about what the future might hold.

The difficulty in retelling a story as well known as Hamlet is the inevitability of comparisons. The layered complexity of Shakespeare's play is rendered in JOKER as a monologue told solely in Matt's voice. HAMLET is a puzzle. It contains great poetry, lots of bizarre Elizabethan jokes, and a malleable plot that opens itself to endless interpretations. By comparison, JOKER is straightforward. It even ends happily and no one dies, making it comedic, instead of tragic.

Readers already familiar with HAMLET are best placed to understand the humor in JOKER. But it may appeal more to those readers who have not read HAMLET, or have found the play confusing or irrelevant to their lives. JOKER is HAMLET as it might be interpreted by a teenager reading the play for the first time. It is most successful when read on its own terms and not compared to its predecessor.

--- Reviewed by Sarah A. Wood

0 of 0 people found the following review helpful.
Courtesy of Teens Read Too
By TeensReadToo
Apparently, JOKER is the classic story of Hamlet (Folger Shakespeare Library), torn to pieces, set in modern-day Australia, and stuck back together again. Having never read Hamlet (Folger Shakespeare Library), I can't say anything about JOKER 's relationship to that story, but I can definitely say that it is a brilliant novel.

It's the real story of Matt, a teenage boy with problems like any other, and the story of Joker, one that blurs the lines of fact and fiction. Joker drives Matt to do things he would not normally do, to say things he would not normally say, to eventually throw away his life as a popular, athletic high school student with a great girlfriend and great friends. Perhaps the change came when Ray, his best friend, died in a fire; even if Ray's murder wasn't the cause of the change in Matt, it couldn't have helped.

Now Matt is never alone; he always has Joker, though it is never clear who or what Joker is, or if he is a figment of Matt's imagination or if he is real, or maybe even another part of Matt himself.

This is a beautifully written, at times disturbing, and certainly moving story. Reminiscent of a darker Francesca Lia Block, Ranulfo follows Matt as he destroys his life, runs away, and eventually returns, seeing all the possibilities of what could lie ahead of him. Readers looking for straightforward, clear, easy to follow, black-and-white stories will not find that in JOKER, but anyone looking for fantastic writing, realistic characters, and a story that's not so easily pulled apart will love this novel.

Reviewed by: Jocelyn Pearce

0 of 0 people found the following review helpful.
if conscience doesn't make us all cowards, it can drive you crazy
By Lee
When I was in high school I never got why they made us read depressing books, even if the books were old. It proves this book's points about adult's hypocrisy that when Baz Luhrmann turned Romeo and Juliet into something that kids watched without being forced by school, adults suddenly started worrying that the same story they'd been forcing their kids to memorize for exams might romaticize suicide. By contrast (and since the official review on Amazon gave the ending away I don't feel bad for saying this), Ranulfo gives his updated Hamlet a more positive solution to his family problems and the potential madness personified by Matt's alter ego/imaginary friend/demon, the joker. Besides making this book less likely to get banned than would be an accessible young adult book in which the lead kills his mum's new boyfriend, I guess the new ending is more plausible for a modern teenager than giving up everything for the sake of dad's honour. It's kind of like in the old days romances could make the parents the main obstacle between the lovers, but in a modern romance parents' disapproval stopping kids from hooking up is less believable. Ranulfo's message seems to be that parents' problems are not yours to solve, and that if conscience doesn't make us all cowards, it can make us martyrs pointlessly sacrificing ourselves for stuff we have no control over, and I guess that's the point of the references to the attacks on the world trade centre and the futility of violent political protests.

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! Ebook Download Inside Today's Home, by R.N. Faulkner, S. Faulkner, Sarah Faulkner

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Book for Interior Designers.

• Sales Rank: #1561470 in Books
• Published on: 1975-11
• Original language: English
• Number of items: 1
• Binding: Paperback
• 598 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
And old textbook -still a "goodie"
By SherryDamore
Years ago, I took a decorating class at the local college, and this was our textbook. I was clueless when it came to decorating, and this book along with the class taught me sooooo much. I didn't want to be a professional decorator, I just wanted to know how to decorate my own (then new) house.

It covers, style, texture, color, design, use of space, everything you would want/need to know. Yes, it is a little dated - at least the photos - but it still holds up! The new versions are, I beleive, for decorating students who need to know how to deal with clients, how to estimate, etc.

I bought this one among a few others, recently for my future daughter in law, who has never decorated anything, and is starting from scratch.

I recommend this book for any decorating beginner.

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@ Ebook Download Be Nice to Spiders, by Margaret Bloy Graham

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When Billy left his pet spider, Helen, at the Zoo, the animals suddenly became happy and contented. The lions snoozed all day long, the elephants enjoyed their baths, and the zebras ate their hay in peace -- all because Helen was spinning webs and catching flies.

But one day Helen's webs were swept away. The Keeper had the cages cleaned for the Mayor's inspection tour. Soon the flies were back again and the animals were miserable once more. But not for long...

Children will be fascinated and amused by the way Helen solved the problem and won a permanent place of honor for herself in the Zoo.

Margaret Bloy Graham's pictures match the wit and charm of her delightful story.

• Sales Rank: #49961 in Books
• Brand: Harper Collins
• Published on: 1967-09-13
• Released on: 1967-09-13
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .34" w x 7.25" l, .55 pounds
• Binding: Library Binding
• 32 pages

From the Back Cover
When Billy left his spider, Helen, at the Zoo, the animals suddenly became happy and contented. The lions snoozed all day long, the elephants enjoyed their baths, and the zebras ate their hay in piece- all because Helen was spinning her web catching flies. But one day Helen's webs were swept away. The Keeper had the cages cleaned for the Mayer's inspection tour. Soon the flies were back again and the animals were miserable once more. But not for long... Children will be fascinated and amused by the way Helen solved the problem and won a permanent place of honor for herself in the Zoo.

About the Author
Gene Zion and two-time Caldecott Honor winner Margaret Bloy Graham have collaborated on several favorite stories about Harry: Harry by the Sea, Harry the Dirty Dog, and No Roses for Harry.

Gene Zion and two-time Caldecott Honor winner Margaret Bloy Graham have collaborated on several favorite stories about Harry: Harry by the Sea, Harry the Dirty Dog, and No Roses for Harry.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Classic
By Lee Emanuel
Love this old classic book. I was so excited to find a library bind for such a great price! Wish more people knew about this precious book.

6 of 6 people found the following review helpful.
charming vintage story about a spider at the zoo
By audrey frances
Billy is moving to an apartment that doesn't allow pets, so he leaves his beloved spider Helen at the zoo, where she promptly improves everyone's lives by eating all those annoying flies. Things are great until the head of the zoo sends out a misguided order to clean up the zoo --including those spider webs. This is a great book about unexpected and mutually beneficial relationships, and is good for bug lovers and haters alike.

First printed in 1967, this book's illustrations have a definite vintage feel to them.

0 of 0 people found the following review helpful.
Great children's book with a story for us all
By JBS
I'm so glad to have found this book again. We had an old faded copy when our children were growing up, but I loved to read it to them. We all need to be reminded that there's a place in this world for all of God's creatures. I'm getting copies now for my grandchildren who are enjoying a large banana spider living on their front porch.

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